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2025 Spring Retreat Breakout Sessions

Breakout 1 - 1:15 - 2:45

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Option 1

Walk the Labyrinth

With Jeanne Verdick & your sisters

A labyrinth is used for walking meditation. It is a single winding path from the outer edge in a circuitous way to the center. Labyrinths are used world-wide as a way to quiet the mind, calm anxieties, recover balance in life, enhance creativity and encourage meditation, insight, self-reflection and stress reduction. Labyrinths can be a metaphor for a journey to the center of yourself and back out with a broadened understanding of who you are. They can be a space to quiet your mind, release your troubles, and experience a sense of calm or peace.

WALKING THE LABYRINTH There's no right or wrong way to walk a labyrinth, but here are some tips you can try:

• Prepare: You can sit quietly to reflect before you start, or set an intention or prayer.

• Enter: Enter humbly and be aware that you're entering a sacred space.

• Walk: Walk at your own pace, following the winding path towards the center. Pay attention to your breathing and inner experience.

• Center: When you reach the center, pause and stay as long as you like. You can meditate, pray, or reflect.

• Exit: Exit by retracing the path you came in on.

• Reflect: When you leave, take time to reflect on your experience and notice how you feel. You can write down your thoughts and feelings.

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Option 2

Performing Arts Panel

With Tassi Bisers

Let it go and imagine - isn't this the definition of the Performing Arts? And aren't the Twin Cities the richest environment possible? Join a panel of your fellow retreat-goers who are involved with the performing arts to explore how their/your lives are enriched.

Tassi Bisers moved to the Twin Cities from her beloved Pittsburgh in October 2022 to be near her family here & devote herself more to Grandma duty. Just in time for That Winter. She is thrilled with the culture of Performing Arts that surprised her in her new home. Many of her best moments in life have been choral. Also, she had marvelous times during the five years she chaired the lay team at her church in PA that worked with the minister to put on services.

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Option 3

Creative Writing Poetry

with Mary Junge

Mary Junge has been writing poetry for over four decades. Without fully grasping her true purpose when she first began writing (she was wandering in the wilderness), she soon discovered that poetry somehow helped her to cope with life. It allowed her, for instance, to rise above the limitations she felt after growing up in the shadow of a sister who suffered from serious mental illness. Junge has published individual poems in various literary journals and anthologies and three books of poems, the most recent, “Creatures of Promise” by Kelsay Books in 2024.

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The Brain on Metaphor

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“If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?”
― Emily Dickinson, Selected Letters

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Mary shares these insights: Did you know that regions of your brain light up when you read poetry? Metaphors are well known to help in communicating difficult concepts, but they also stimulate regions of the brain, creating connections that can give you goosebumps or provide comfort during times of grief. If that isn’t enough, writing poetry offers “aha” moments of self-discovery. Writing a poem with courage requires openness and at times discomfort, not knowing what will come next. In both reading and writing poetry, you may experience surprise, joy, and moments of clarification.

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Bring a notebook or your journal and a short poem that is a favorite to share. Also (this is optional) you may bring a poem that you have written, to share with a small group if you wish. We’ll start the workshop by reading some poems, talk briefly about metaphor and how to write vivid descriptions, do a few exercises to “mine” triggering subjects and images, and write to prompts. Finally, we’ll use some of the material we’ve gleaned to draft a sonnet, a fourteen-line poem. The form of the sonnet was invented around 1200 by the Italian poet Giacomo da Lentino and is still widely used.

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Good Books Related to Writing Poetry:

Finger Exercises for Poets, Dorianne Laux (2024)
Ten Windows: How Great Poems Transform the World, Jane Hirshfield (2015)
The Teachers and Writers Handbook of PoeDc Forms, Ron Padgett, editor (1987)
The Art of Description: Word into Word, Mark Doty (2010) 
A Poetry Handbook: A Prose Guide to Understanding and Writing Poetry, Mary Oliver (1994)

Mary Junge lives, writes, and watches birds in Minnesota. She holds a Master of Arts degree from the University of Minnesota and has studied poetry and memoir at the Loft, Minneapolis, Key West Literary Seminars and workshops, and other places. She is the author of two poetry collections, Express Train (Pudding House Publications) and Pilgrim Eye (Laurel Poetry Collective). She has published in numerous journals and anthologies, and her most recent poems appear in Rag Queen Periodical.

https://www.splitrockreview.org/mary-junge

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Breakout 2 - 3:00 - 4:00

Holding Hands

Option 1

Sexual Intimacy

How can one consider new ways to enjoy intimacy with or without a partnered relationship? For this workshop, intimacy is defined as the experience of emotional closeness with another person or persons. This might be called love, in forms ranging from very close friendships to deeply committed sexual and romantic relationships. The Older Adult Owl Whole Lives curriculum will be used for this conversation. It will build on the lifelong accumulation of experience regarding intimacy, love and sexual scripts of those in attendance.

With Jane Jordan

Enjoying Outdoor

Release the Past

Option 2

with Margie Nalezny & Velma Wagner

Letting go of the past creates space for new opportunities, experiences, and growth. By performing a releasing ritual and incorporating supportive practices into your daily life, you can begin to embrace the future with a lighter heart and an open mind.

 

Remember, letting go is a personal and unique journey for each individual. Be patient and compassionate with yourself as you navigate this process. With time and intention, you can release the past and step into a brighter, more fulfilling future.

 

 

Creative Expression: Explore creative outlets such as painting, writing, or playing music.These activities can help you process emotions and express yourself in a heathy way.

Seek Support: If you're struggling to let go on your own, consider seeking support from a therapist, counsellor, or spiritual mentor. Talking to someone who understands can provide valuable insights and guidance.

Affirmations: Use positive affirmations to reinforce your intention to let go. Repeat phrases like, "I am free from the past," "I am deserving of peace and happiness," or "I trust the journey of life.”

 

Final Thoughts.

Letting go of the past is a journey that requires patience, compassion, and courage. As someone who has walked this path, I understand the emotional weight and the difficulty of releasing what no longer serves us. Performing a releasing ritual was a turning point in my life, allowing me to acknowledge my past, honour its lessons, and finally set myself free from its grasp.

 

As you undertake your own releasing ritual, remember to be gentle with yourself. Healing is not a linear process, and it's okay to revisit these steps as often as you need. Each time you perform this ritual, you are peeling back another layer, moving closer to a lighter, more liberated version of yourself.

 

Embrace this practice with an open heart, knowing that letting go is a powerful act of self-love and empowerment. You deserve to live free from the shadows of the past, fully present.

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Massage

Option 3

Self Massage

with Inna Kuznetsov
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